| Publication information | 
| Source: Friend Source type: newspaper Document type: editorial Document title: “Music as an Antidote to Anarchism” Author(s): anonymous City of publication: Philadelphia, Pennsylvania Date of publication: 19 October 1901 Volume number: 75 Issue number: 14 Pagination: 105 | 
| Citation | 
| “Music as an Antidote to Anarchism.” Friend 19 Oct. 1901 v75n14: p. 105. | 
| Transcription | 
| full text | 
| Keywords | 
| anarchism (religious response); anarchism (dealing with). | 
| Named persons | 
| Napoléon Bonaparte; William McKinley; William Shakespeare; Goldwin Smith. | 
| Document | 
  Music as an Antidote to Anarchism
Among the many medicines for anarchism which are of late suggested from many quarters (as if in a general “conspiracy of silence” about the Gospel being the one true remedy), music has occurred to some prescribers, whose memory has naturally turned to the following old verses:—
“That naught so stockish, hard, and full of rage,
“But music for the time doth change his nature;
“The man that hath no music in himself,
“Nor is not moved with concord of sweet sounds,
“Is fit for treasons, stratagems, and spoils;
“The motions of his spirit are as dull as night,
“And his affections dark as Erebus.”
     We would revive here a little of our former contention 
  that the field of operation of music is the nervous system, and so, emotional 
  rather than spiritual. “Every soldier,” says an investigator, “will testify 
  to the inspiring influence of music in war. This, scientifically considered, 
  means simply that sound-vibrations act directly upon the nerves;” similarly 
  “under the power of an eight-foot organ pipe many a man has mistaken the shaking 
  of his diaphram for the trembling of his soul.” What we have objected to is 
  the mistaking of emotions, whether grossly or artistically manufactured, for 
  the inspiration of the Holy One.
       The purpose of these lines is to introduce an 
  editorial found in last week’s Christian Advocate, a leading Methodist 
  paper, and entitled, “More than music needed:”
       A convention of choirmasters and music teachers 
  in England received a prophecy from their president that anarchism would “die 
  a sweet natural death.” His theory is:
       The softening influence of music is so delightful 
  that the time will come when the inability to sing from sol fa will be as extraordinary 
  as the inability to read or write. When the spread of music has reached the 
  required degree anarchism will cease.”
       Goldwin Smith in a recent article, attaches some 
  importance to this.
       Vegetarians are claiming that their method will 
  put an end to anarchism and assassination. Against this is the fact that some 
  of the most bloodthirsty peoples of antiquity were vegetarians, that the assassin 
  of President McKinley hated meat, and for five or six weeks before his deed, 
  lived on four quarts of milk and a few cakes per day. He could not bear the 
  sight of pork.
       The effect of music is undoubtedly refining, but 
  it seems to help everything it is applied to. In a war, music stimulates 
  people on the wrong as much as it does those on the right side. Some troops 
  of brigands have been famous musicians, and have entered towns disguised as 
  peripatetic performers on various instruments. Atheistic societies have made 
  considerable use of music in their meetings. Music was by no means suspended 
  during the first French Revolution. Few countries have made such progress in 
  music or hear it more frequently than Italy. The people all sing, but they would 
  hardly be regarded as unproductive of anarchists or as of a placid temperament 
  indisposed to resort to violence. History records music in connection with the 
  most oppressive persecution of religionists, and on Easter the people of Spain 
  pass from the splendid music of the churches and cathedrals direct to the bull 
  fights, whose season, in harmony with ancient custom, opens on Easter day.
       We are aware that Napoleon said: “Of all the liberal 
  arts music has the greatest influence over the passions, and is that to which 
  the legislator ought to give the greatest encouragement. A well-composed song 
  strikes and soothes the mind, and produces a greater effect than a small work, 
  which convinces our reason but does not warm our feelings, nor effect the slightest 
  alteration in our habits.”
       But Napoleon said this at St. Helena when he was 
  in a reflective mood. All the music he ever heard failed to change his essential 
  character.
       Musically inclined races have never been specially 
  free from excesses, nor notably moral.
       Music is [used for] assistance to true religion. 
  But the feelings which it excites are often mistaken for deeper moral changes.
       The teaching of music to both sexes is refining, 
  but to bring it forward as in itself sufficient to destroy or check those elements 
  of human nature from which anarchism arises, or as the main thing to be relied 
  upon to mitigate human excesses of thought, feeling, action or speech, or to 
  change the nature, except “for the time,” as Shakespeare says, is but to propose 
  another panacea which will disappoint. Only a union of all methods of reformation—instruction 
  in religion, morals and refinement—the constant employment of them, and the 
  regeneration of the human heart by the Holy Spirit can prevent those convulsions 
  of human nature which astound the world by such sudden outbreaks, when a large 
  majority of those who are thus astonished are more or less under the power of 
  the same imperfect or distorted development.